Difference between revisions of "2009:Audio Onset Detection Results"
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==== Team ID ==== | ==== Team ID ==== | ||
− | '''AR1''' = [ | + | '''AR1''' = [https://music-ir.org/mirex/2009/results/abs/AR.pdf A. R├╢bel (7_hd)]<br /> |
− | '''AR2''' = [ | + | '''AR2''' = [https://music-ir.org/mirex/2009/results/abs/AR.pdf A. R├╢bel (10_hd)]<br /> |
− | '''AR3''' = [ | + | '''AR3''' = [https://music-ir.org/mirex/2009/results/abs/AR.pdf A. R├╢bel (12_nhd)]<br /> |
− | '''AR4''' = [ | + | '''AR4''' = [https://music-ir.org/mirex/2009/results/abs/AR.pdf A. R├╢bel (16_nhd)]<br /> |
− | '''AR5''' = [ | + | '''AR5''' = [https://music-ir.org/mirex/2009/results/abs/AR.pdf A. R├╢bel (19_hdc)]<br /> |
− | '''GT''' = [ | + | '''GT''' = [https://music-ir.org/mirex/2009/results/abs/GT.pdf George Tzanetakis]<br /> |
− | '''PI''' = [ | + | '''PI''' = [https://music-ir.org/mirex/2009/results/abs/PI.pdf Antonio Pertusa, Jos├⌐ M. I├▒esta]]<br /> |
− | '''TZC1''' = [ | + | '''TZC1''' = [https://music-ir.org/mirex/2009/results/abs/TZC.pdf Hui Li Tan, Yongwei Zhu, Lekha Chaisorn]<br /> |
− | '''TZC2''' = [ | + | '''TZC2''' = [https://music-ir.org/mirex/2009/results/abs/TZC.pdf Hui Li Tan, Yongwei Zhu, Lekha Chaisorn]<br /> |
− | '''TZC3''' = [ | + | '''TZC3''' = [https://music-ir.org/mirex/2009/results/abs/TZC.pdf Hui Li Tan, Yongwei Zhu, Lekha Chaisorn]<br /> |
− | '''TZC4''' = [ | + | '''TZC4''' = [https://music-ir.org/mirex/2009/results/abs/TZC.pdf Hui Li Tan, Yongwei Zhu, Lekha Chaisorn]<br /> |
− | '''TZC5''' = [ | + | '''TZC5''' = [https://music-ir.org/mirex/2009/results/abs/TZC.pdf Hui Li Tan, Yongwei Zhu, Lekha Chaisorn]<br /> |
==Overall Summary Results== | ==Overall Summary Results== |
Revision as of 23:50, 23 October 2009
Contents
Introduction
These are the results for the 2009 running of the Audio Onset Detection. For background information about this task set please refer to the Audio_Onset_detection page. The aim of the Audio Onset Detection task is to find the time locations at which all musical events in a recording begin. The dataset consists of 85 recordings across 9 different "classes" (e.g. solo drums, polyphonic pitched, etc.). For each sound file, ground truth annotations produced by 3-5 listeners were used for the evaluation.
General Legend
Team ID
AR1 = A. R├╢bel (7_hd)
AR2 = A. R├╢bel (10_hd)
AR3 = A. R├╢bel (12_nhd)
AR4 = A. R├╢bel (16_nhd)
AR5 = A. R├╢bel (19_hdc)
GT = George Tzanetakis
PI = Antonio Pertusa, José M. Iñesta]
TZC1 = Hui Li Tan, Yongwei Zhu, Lekha Chaisorn
TZC2 = Hui Li Tan, Yongwei Zhu, Lekha Chaisorn
TZC3 = Hui Li Tan, Yongwei Zhu, Lekha Chaisorn
TZC4 = Hui Li Tan, Yongwei Zhu, Lekha Chaisorn
TZC5 = Hui Li Tan, Yongwei Zhu, Lekha Chaisorn
Overall Summary Results
MIREX 2009 Audio Onset Detection Summary Results - Peak F-measure performance across all parameterizations
file /nema-raid/www/mirex/results/onset/onset.total.csv not found
MIREX 2009 Audio Onset Detection Runtime Data
file /nema-raid/www/mirex/results/onset/onset.runtime.csv not found
Results by Class
- Audio_Onset_Detection_Results:_Complex
- Audio_Onset_Detection_Results:_Poly_Pitched
- Audio_Onset_Detection_Results:_Solo_Bars_and_Bells
- Audio_Onset_Detection_Results:_Solo_Brass
- Audio_Onset_Detection_Results:_Solo_Drum
- Audio_Onset_Detection_Results:_Solo_Plucked_Strings
- Audio_Onset_Detection_Results:_Solo_Singing_Voice
- Audio_Onset_Detection_Results:_Solo_Sustained_Strings
- Audio_Onset_Detection_Results:_Solo_Winds
Individual Results
- Audio_Onset_Detection_Results:_AR1
- Audio_Onset_Detection_Results:_AR2
- Audio_Onset_Detection_Results:_AR3
- Audio_Onset_Detection_Results:_AR4
- Audio_Onset_Detection_Results:_AR5
- Audio_Onset_Detection_Results:_GT
- Audio_Onset_Detection_Results:_PI
- Audio_Onset_Detection_Results:_TZC1
- Audio_Onset_Detection_Results:_TZC2
- Audio_Onset_Detection_Results:_TZC3
- Audio_Onset_Detection_Results:_TZC4
- Audio_Onset_Detection_Results:_TZC5