Difference between revisions of "2008:Audio Melody Extraction"
(New page: [this page is for now a pale copy/paste of MIREX06 webpage: [http://www.music-ir.org/mirex/2006/index.php/Audio_Melody_Extraction Audio_Melody_Extraction]] =Goal= To extract the melody lin...) |
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To extract the melody line from polyphonic audio. | To extract the melody line from polyphonic audio. | ||
=Description= | =Description= | ||
+ | The aim of the MIREX audio melody extraction evaluation is to identify the melody pitch contour from polyphonic musical audio. The task consists of two parts: Voicing detection (deciding whether a particular time frame contains a "melody pitch" or not), and pitch detection (deciding the most likely melody pitch for each time frame). We structure the submission to allow these parts to be done independently, i.e. it is possible (via a negative pitch value) to guess a pitch even for frames that were being judged unvoiced. Algorithms which don't perform a discrimination between melodic and non-melodic parts are also welcome! | ||
+ | |||
+ | (The audio melody extraction evaluation will be essentially a re-run of last years contest i.e. the same test data is used.) | ||
+ | |||
+ | '''Dataset''': | ||
+ | |||
+ | * MIREX05 database : 25 phrase excerpts of 10-40 sec from the following genres: Rock, R&B, Pop, Jazz, Solo classical piano | ||
+ | * ISMIR04 database : 20 excerpts of about 20s each | ||
+ | * CD-quality (PCM, 16-bit, 44100 Hz) | ||
+ | * single channel (mono) | ||
+ | * manually annotated reference data (10 ms time grid) | ||
+ | |||
+ | '''Output Format''': | ||
+ | |||
+ | * In order to allow for generalization among potential approaches (i.e. frame size, hop size, etc), submitted algorithms should output pitch estimates, in Hz, at discrete instants in time | ||
+ | * so the output file successively contains the time stamp [space or tab] the corresponding frequency value [new line] | ||
+ | * the time grid of the reference file is 10 ms, yet the submission may use a different time grid as output (for example 5.8 ms) | ||
+ | * Instants which are identified unvoiced (there is no dominant melody) can either be scored as 0 Hz or as a negative pitch value. If negative pitch values are given the statistics for Raw Pitch Accuracy and Raw Chroma Accuracy may be improved. | ||
+ | |||
+ | '''Relevant Test Collections''' | ||
+ | |||
+ | * For the ISMIR 2004 Audio Description Contest, the Music Technology Group of the Pompeu Fabra University assembled a diverse of audio segments and corresponding melody transcriptions including audio excerpts from such genres as Rock, R&B, Pop, Jazz, Opera, and MIDI. (full test set with the reference transcriptions (28.6 MB)) | ||
+ | * Graham's collection: you find the test set here and further explanations on the pages http://www.ee.columbia.edu/~graham/mirex_melody/ and http://labrosa.ee.columbia.edu/projects/melody/ | ||
+ | |||
+ | =Potential Participants= | ||
+ | * [http://www.tsi.enst.fr/~durrieu/en/ Jean-Louis Durrieu] (TELECOM ParisTech, formerly ENST), durrieu@enst.fr | ||
+ | |||
+ | =JL's Comments 11/07/08= | ||
+ | We propose to re-run the Audio Melody Extraction task this year. | ||
+ | It was dropped last year, but since 2006, there were probably other research on this topic. Anyone interested ? |
Revision as of 08:37, 11 July 2008
[this page is for now a pale copy/paste of MIREX06 webpage: Audio_Melody_Extraction]
Goal
To extract the melody line from polyphonic audio.
Description
The aim of the MIREX audio melody extraction evaluation is to identify the melody pitch contour from polyphonic musical audio. The task consists of two parts: Voicing detection (deciding whether a particular time frame contains a "melody pitch" or not), and pitch detection (deciding the most likely melody pitch for each time frame). We structure the submission to allow these parts to be done independently, i.e. it is possible (via a negative pitch value) to guess a pitch even for frames that were being judged unvoiced. Algorithms which don't perform a discrimination between melodic and non-melodic parts are also welcome!
(The audio melody extraction evaluation will be essentially a re-run of last years contest i.e. the same test data is used.)
Dataset:
* MIREX05 database : 25 phrase excerpts of 10-40 sec from the following genres: Rock, R&B, Pop, Jazz, Solo classical piano * ISMIR04 database : 20 excerpts of about 20s each * CD-quality (PCM, 16-bit, 44100 Hz) * single channel (mono) * manually annotated reference data (10 ms time grid)
Output Format:
* In order to allow for generalization among potential approaches (i.e. frame size, hop size, etc), submitted algorithms should output pitch estimates, in Hz, at discrete instants in time * so the output file successively contains the time stamp [space or tab] the corresponding frequency value [new line] * the time grid of the reference file is 10 ms, yet the submission may use a different time grid as output (for example 5.8 ms) * Instants which are identified unvoiced (there is no dominant melody) can either be scored as 0 Hz or as a negative pitch value. If negative pitch values are given the statistics for Raw Pitch Accuracy and Raw Chroma Accuracy may be improved.
Relevant Test Collections
* For the ISMIR 2004 Audio Description Contest, the Music Technology Group of the Pompeu Fabra University assembled a diverse of audio segments and corresponding melody transcriptions including audio excerpts from such genres as Rock, R&B, Pop, Jazz, Opera, and MIDI. (full test set with the reference transcriptions (28.6 MB)) * Graham's collection: you find the test set here and further explanations on the pages http://www.ee.columbia.edu/~graham/mirex_melody/ and http://labrosa.ee.columbia.edu/projects/melody/
Potential Participants
* Jean-Louis Durrieu (TELECOM ParisTech, formerly ENST), durrieu@enst.fr
JL's Comments 11/07/08
We propose to re-run the Audio Melody Extraction task this year. It was dropped last year, but since 2006, there were probably other research on this topic. Anyone interested ?