Difference between revisions of "2019:Automatic Lyrics-to-Audio Alignment"
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==== DALI Dataset ====
==== DALI Dataset ====
See its full description [https://github.com/gabolsgabs/DALI here]
See its full description [https://github.com/gabolsgabs/DALI here]
Revision as of 08:31, 8 July 2019
- 1 Description
- 2 Datasets
- 3 Evaluation
- 4 Submission Format
- 5 Submission closing dates
- 6 Question?
- 7 Potential Participants
- 8 Bibliography
The task of automatic lyrics-to-audio alignment has as an end goal the synchronization between an audio recording of singing and its corresponding written lyrics. The beginning timestamps of lyrics units can be estimated on different granularity: phonemes, words, lyrics lines, phrases. For this task word-level alignment is required.
----------------------- --------------------------------------------------- | Mixed singing audio | | Lyrics at word-level: no more carefree ... ... | ----------------------- --------------------------------------------------- | | -------------------------------------------- | -------------------- | Alignment system | -------------------- | | -------------------------- | 0.123 0.798 no | | 0.798 1.123 more | | 1.345 2.176 carefree| | ... ... | --------------------------
The algorithm receives two inputs - mixed singing audio (singing voice + musical accompaniment) and its corresponding lyrics at word-level, outputs the onset and offset timestamps (second) of each word.
The DAMP dataset contains a large number (34 000+) of a cappella recordings from a wide variety of amateur singers, collected with the Sing! Karaoke mobile app in different recording conditions, but generally with good audio quality. A carefully curated subset DAMPB of 20 performances of each of the 300 songs has been created by (Kruspe, 2016). Here is the list of recordings.
- The audio can be downloaded from the Smule web site
- No lyrics boundary annotations are available, still the textual lyrics are on the Smule Sing! Karaoke website
The DALI dataset contains over 5000 songs with semi-automatically aligned lyrics annotations, and can be used by participants for training their systems. See its full description here.
The following datasets are used for evaluation and so cannot be used by participants under any circumstance.
The dataset contains 9 pop music songs in English with annotations of both beginnings- and ending-timestamps of each word. The ending timestamps are for convenience (copies of next word's beginning timestamp) and are not used in the evaluation. Sentence-level annotations are also provided. The audio has two versions: the original mix with instrumental accompaniment and a cappella singing voice only one. An example song can be seen here
You can read in detail about how the dataset was made here: Recognition of Phonemes in A-cappella Recordings using Temporal Patterns and Mel Frequency Cepstral Coefficients. The dataset has been kindly provided by Jens Kofod Hansen.
- file duration up to 4:40 minutes (total time: 35:33 minutes)
- 3590 words annotated in total
The dataset contains 20 pop music songs in English with annotations of beginning-timestamps of each word. Non-vocal sections are not explicitly annotated (but remain included in the last preceding word). We prefer to leave it this way, to enable comparison to previous work, evaluated on this dataset. The audio has instrumental accompaniment. An example song can be seen here.
You can read in detail about how the dataset was used for the first time here: Integrating Additional Chord Information Into HMM-Based Lyrics-to-Audio Alignment. The dataset has been kindly provided by Sungkyun Chang.
- file duration up to 5:40 minutes (total time: 1h 19m)
- 5050 words annotated in total
The dataset contains 8 pop music song excerpts with instrumental accompaniment, with annotations of beginning-timestamps of each word. The dataset has been used in the recent paper.
- file duration up to 1:11 (total time: 11m)
- 1181 words annotated in total
This dataset contains 20 full-duration music pieces with 10 different Western music genres, annotated with start-of-word timestamps. All songs have instrumental accompaniment. For more information refer to this paper.
- file duration up to 4:43 (total time: 1h 12m)
- 5677 words annotated in total
A popular choice for phonetization of the words is the CMU pronunciation dictionary. One can phonetize them with the online tool. A list of all words of both datasets, which are outside of the list of CMU words is given here.
The data are sound wav/mp3 files, plus the associated word boundaries (in csv-like .txt/.tsv files)
- CD-quality (PCM, 16-bit, 44100 Hz)
- single channel (mono) for a cappella and two channels for original
The submitted algorithms will be evaluated at the word boundaries for the originally mixed songs (a cappella singing + instrumental accompaniment). Evaluation metrics on the a cappella singing can be reported as well on request, for the sake of getting insights on the impact of instrumental accompaniment on the algorithm, but will not be considered for the ranking.
Average absolute error/deviation Initially utilized in Mesaros and Virtanen (2008), the absolute error measures the time displacement between the actual timestamp and its estimate at the beginning and the end of each lyrical unit. The error is then averaged over all individual errors. An error in absolute terms has the drawback that the perception of an error with the same duration can be different depending on the tempo of the song. Here is a test of using this metric.
Percentage of correct segments The perceptual dependence on tempo is mitigated by measuring the percentage of the total length of the segments, labeled correctly to the total duration of the song. This metric is suggested by Fujihara et al. (2011), Figure 9. Here is a test of using this metric.
Percentage of correct estimates according to a tolerance window A metric that takes into consideration that the onset displacements from ground truth below a certain threshold could be tolerated by human listeners. We use 0.3 seconds as the tolerance window. This metric is suggested in Integrating Additional Chord Information Into HMM-Based Lyrics-to-Audio Alignment. Here is a test of using this metric.
For more detailed definition and formulas about the metrics, please check the section 2.2.1 of this thesis.
To obtain all three metrics for one detected output:
python eval.py <file path of the reference word boundaries> <file path of the detected word boundaries>
Note that evaluation scripts depend on mir_eval.
Submissions should be packaged and contain at least two files: The algorithm itself (as a binary or source code) and a README containing contact information and detailing, in full, the use of the algorithm.
Participating algorithms will have to receive the following input format:
- Audio in wav, 44.1kHz, stereo.
- Lyrics in .txt file where each word is separated by a space, each lyrics phrase is separated by a line break mark (\n).
Output File Format
The alignment output file format is a tab-delimited ASCII text format.
Three column text file of the format
<onset_time(sec)>\t<offset_time(sec)>\t<label>\n <onset_time(sec)>\t<offset_time(sec)>\t<label>\n ...
where \t denotes a tab, \n denotes the end of the line. The < and > characters are not included. An example output file would look something like:
0.000 5.223 word1 5.223 15.101 word2 15.101 20.334 word3
NOTE: the offset timestamps column is utilized only by the percentage of correct segments metric. Therefore skipping the second column is acceptable, and could result in degraded performance of this respective metric only.
Command line calling format
The submitted algorithm must take as arguments .wav file, .txt file as well as the full output path and filename of the output file. The ability to specify the output path and file name is essential. Denoting the input .wav file path and name as %input_audio; the lyrics .txt file as %input_txt and the output file path and name as %output, a program called foobar could be called from the command-line as follows:
foobar %input_audio %input_txt %output foobar -i %input_audio -it %input_txt -o %output
A README file accompanying each submission should contain clear instructions on how to run the program (as well as contact information, etc.). In particular, each command line to run should be specified, using %input for the input sound file and %output for the resulting text file.
Submission closing dates
Closing date: TBD (end of September 2019)
- send us an email - firstname.lastname@example.org (Daniel Stoller ) or email@example.com (Georgi Dzhambazov)
Stoller, D. and Durand, S. and Ewert, S. (2019) End-to-end Lyrics Alignment for Polyphonic Music Using An Audio-to-Character Recognition Model. ICASSP 2019.
Sharma B, Gupta C. (2019) Automatic Lyrics-to-audio Alignment on Polyphonic Music Using Singing-adapted Acoustic Models. ICASSP 2019
Chang, S., & Lee, K. (2017). Lyrics-to-Audio Alignment by Unsupervised Discovery of Repetitive Patterns in Vowel Acoustics. arXiv preprint arXiv:1701.06078.
Dzhambazov, G. and Serra, X. (2015) Modeling of phoneme durations for alignment between polyphonic audio and lyrics, in 12th Sound and Music Computing Conference
Kruspe, A. (2016). Bootstrapping a System for Phoneme Recognition and Keyword Spotting in Unaccompanied Singing, ISMIR 2016
Mesaros, A. and Virtanen, T. (2008), Automatic alignment of music audio and lyrics, in Proceedings of the 11th Int. Conference on Digital Audio Effects (DAFx-08), Espoo, Finland, 2008.
Fujihara, H. Goto, M. Ogata, J. and Okuno, H. G. (2011) Lyricsynchronizer: Automatic synchronization system between musical audio signals and lyrics, IEEE Journal of Selected Topics in Signal Processing
Fujihara, H., & Goto, M. (2012). Lyrics-to-audio alignment and its application. In Dagstuhl Follow-Ups (Vol. 3). Schloss Dagstuhl-Leibniz-Zentrum fuer Informatik.
Mauch, M., Fujihara, H., & Goto, M. (2012). Integrating additional chord information into HMM-based lyrics-to-audio alignment. IEEE Transactions on Audio, Speech, and Language Processing, 20(1), 200-210.
Pons, J. Gong, R. and Serra, X. (2017). Score-informed syllable segmentation for a cappella singing voice with convolutional neural networks. ISMIR 2017