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  • 2017:Main Page
    ...Information Retrieval Evaluation eXchange (MIREX 2017). The International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL) at [https://i ...part of [https://ismir2017.smcnus.org The 18th International Conference on Music Information Retrieval], ISMIR 2017, which will be held in Suzhou, China, Oc
    9 KB (1,363 words) - 12:20, 7 May 2018
  • 2010:MIREX HOME
    # Audio Music Similarity and Retrieval ...am at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the
    9 KB (1,296 words) - 05:32, 6 June 2011
  • 2010:Audio Chord Estimation
    ...teristic segments, for finding similar pieces, or for semantic analysis of music. The extraction of the harmonic structure requires the detection of as many chords as possible in a piece. That inclu
    12 KB (1,995 words) - 01:37, 15 December 2011
  • 2006:Score Following
    ...e ''real-time'' alignment of incoming music signal to the music score. The music signal can be symbolic (Midi Score Following) or Audio. Score following has ...tation of the audio using the score as prior information. We can use these results and compare with the reference (aligned score).
    17 KB (2,654 words) - 13:12, 13 May 2010
  • 2009:MIREX2009 Results
    ==OVERALL RESULTS POSTERS== ...c-ir.org/mirex/results/2009/MIREX2009ResultsPoster1.pdf MIREX 2009 Overall Results Poster #1 (PDF)]
    2 KB (215 words) - 17:28, 6 July 2011
  • 2009:Main Page
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Informati ...part of [http://ismir2009.ismir.net/ The 10th International Conference on Music Information Retrieval], ISMIR 2009, which will be held in Kobe, Japan, from
    6 KB (923 words) - 16:52, 13 May 2010
  • 2009:Music Structure Segmentation Results
    ...page [[2009:Structural_Segmentation]]. The dataset consists of 297 popular music songs. '''ANO1''' = [https://www.music-ir.org/mirex/abstracts/2009/Ano.pdf Anonymous] <br />
    3 KB (390 words) - 15:41, 1 June 2010
  • 2009:Scratch
    == Results by Task == * [[2009:Audio_Genre_Classification_Results | Audio Genre Classification Results]]
    2 KB (161 words) - 22:42, 13 May 2010
  • 2010:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    10 KB (1,560 words) - 04:25, 5 June 2010
  • 2010:MIREX2010 Results
    ==OVERALL RESULTS POSTERS (First Version: Will need updating as last runs are completed)== ...w.music-ir.org/mirex/results/2010/mirex_2010_poster.pdf MIREX 2010 Overall Results Posters (PDF)]
    4 KB (621 words) - 22:28, 23 October 2011
  • 2011:MIREX Home
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Informati ...part of [http://ismir2011.ismir.net/ The 12th International Conference on Music Information Retrieval], ISMIR 2011, which will be held in Miami, Florida, t
    8 KB (1,099 words) - 14:31, 1 October 2011
  • 2010:Runtime
    ...usic audio tracks by Genre, where the genres are drawn from a set of Latin music genres collected in Brazil and annotated by experts. ...usic audio tracks by Genre, where the genres are drawn from a set of Latin music genres collected in Brazil and annotated by experts.
    10 KB (1,396 words) - 18:14, 26 October 2010
  • 2011:Audio Chord Estimation
    ...teristic segments, for finding similar pieces, or for semantic analysis of music. The extraction of the harmonic structure requires the detection of as many chords as possible in a piece. That inclu
    13 KB (2,035 words) - 01:37, 15 December 2011
  • 2011:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    10 KB (1,573 words) - 14:13, 18 August 2011
  • 2011:MIREX2011 Results
    ==OVERALL RESULTS POSTERS <!--(First Version: Will need updating as last runs are completed)- ...w.music-ir.org/mirex/results/2011/mirex_2011_poster.pdf MIREX 2011 Overall Results Posters (PDF)]
    4 KB (596 words) - 17:21, 18 May 2012
  • 2009:Audio Chord Detection
    ...teristic segments, for finding similar pieces, or for semantic analysis of music. The extraction of the harmonic structure requires the detection of as many chords as possible in a piece. That inclu
    26 KB (4,204 words) - 01:44, 15 December 2011
  • 2012:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    10 KB (1,652 words) - 03:14, 28 August 2012
  • 2012:Audio Chord Estimation
    ...teristic segments, for finding similar pieces, or for semantic analysis of music. The extraction of the harmonic structure requires the detection of as many chords as possible in a piece. That inclu
    14 KB (2,188 words) - 11:48, 27 August 2012
  • 2012:MIREX Home
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Informati ...part of [http://ismir2012.ismir.net/ The 13th International Conference on Music Information Retrieval], ISMIR 2012, which will be held in Porto, Portugal,
    10 KB (1,554 words) - 05:31, 14 March 2013
  • 2012:MIREX2012 Results
    ==OVERALL RESULTS POSTERS <!--(First Version: Will need updating as last runs are completed)- ...w.music-ir.org/mirex/results/2012/mirex_2012_poster.pdf MIREX 2012 Overall Results Posters (PDF)]
    5 KB (655 words) - 21:21, 5 October 2012
  • 2013:Discovery of Repeated Themes & Sections
    '''In brief''': algorithms that take a single piece of music as input, and output a list of patterns repeated within that piece. Also kn ...observe that 'the importance of parallelism [i.e., repetition] in musical structure cannot be overestimated. The more parallelism one can detect, the more inte
    38 KB (5,686 words) - 05:18, 24 March 2018
  • 2013:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    10 KB (1,624 words) - 18:12, 10 June 2013
  • 2013:Audio Chord Estimation
    ...Christopher Harte (2010), Pauwels and Peeters (2013), and the [https://www.music-ir.org/mirex/wiki/The_Utrecht_Agreement_on_Chord_Evaluation “Utrecht Agre ...collected Beatles, Queen, and Zweieck datasets from the Centre for Digital Music at Queen Mary, University of London (http://www.isophonics.net/), as used f
    13 KB (2,008 words) - 08:29, 9 September 2013
  • 2013:Main Page
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Informati ...part of [http://ismir2013.ismir.net/ The 14th International Conference on Music Information Retrieval], ISMIR 2013, which will be held in Curitiba, PR, Bra
    8 KB (1,225 words) - 22:35, 29 June 2014
  • 2013:MIREX2013 Results
    ==OVERALL RESULTS POSTERS <!--(First Version: Will need updating as last runs are completed)- ...w.music-ir.org/mirex/results/2013/mirex_2013_poster.pdf MIREX 2013 Overall Results Posters (PDF)]
    5 KB (688 words) - 23:23, 24 October 2014
  • 2013:Discovery of Repeated Themes & Sections Results
    ...that occurs at least twice (i.e., is repeated at least once) in a piece of music. The second, third, etc. occurrences of the pattern will likely be shifted ...musical repetition. While we recognise the appealing simplicity of linear segmentation, in the ''Discovery of Repeated Themes & Sections'' task we are demanding a
    25 KB (3,485 words) - 07:44, 21 October 2014
  • 2013:Audio Chord Estimation Results MIREX 2009
    ...new evaluation battery for audio chord estimation. This page contains the results of these new evaluations for the Isophonics dataset, a.k.a. the MIREX 2009 * Moreover, because pieces of music come in a wide variety of lengths, we believe it is better to weight the CS
    7 KB (963 words) - 05:35, 31 August 2016
  • 2013:Audio Chord Estimation Results Billboard 2012
    ...m McGill University, including a representative sample of American popular music from the 1950s through the 1990s, as used for MIREX 2012. * Moreover, because pieces of music come in a wide variety of lengths, we believe it is better to weight the CS
    7 KB (954 words) - 05:36, 31 August 2016
  • 2013:Audio Chord Estimation Results Billboard 2013
    ...new evaluation battery for audio chord estimation. This page contains the results of these new evaluations for a special subset of the ''Billboard'' dataset * Moreover, because pieces of music come in a wide variety of lengths, we believe it is better to weight the CS
    7 KB (957 words) - 05:37, 31 August 2016
  • 2014:Main Page
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Informati ...part of [http://ismir2014.ismir.net/ The 15th International Conference on Music Information Retrieval], ISMIR 2014, which will be held in Taipei, Taiwan, t
    9 KB (1,330 words) - 14:32, 24 September 2014
  • 2014:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    10 KB (1,624 words) - 15:56, 7 January 2014
  • 2014:Audio Chord Estimation
    ...Christopher Harte (2010), Pauwels and Peeters (2013), and the [https://www.music-ir.org/mirex/wiki/The_Utrecht_Agreement_on_Chord_Evaluation “Utrecht Agre ...collected Beatles, Queen, and Zweieck datasets from the Centre for Digital Music at Queen Mary, University of London (http://www.isophonics.net/), as used f
    13 KB (2,008 words) - 15:59, 7 January 2014
  • 2014:Discovery of Repeated Themes & Sections
    '''In brief''': algorithms that take a single piece of music as input, and output a list of patterns repeated within that piece. Also kn ...observe that 'the importance of parallelism [i.e., repetition] in musical structure cannot be overestimated. The more parallelism one can detect, the more inte
    38 KB (5,691 words) - 05:21, 24 March 2018
  • 2014:Audio Chord Estimation Results
    This page contains the results of these new evaluations for the Isophonics dataset, a.k.a. the MIREX 2009 * Moreover, because pieces of music come in a wide variety of lengths, we believe it is better to weight the CS
    7 KB (1,039 words) - 18:55, 24 November 2014
  • 2014:Audio Chord Estimation Results Billboard 2012
    ...m McGill University, including a representative sample of American popular music from the 1950s through the 1990s, as used for MIREX 2012. * Moreover, because pieces of music come in a wide variety of lengths, we believe it is better to weight the CS
    5 KB (748 words) - 11:02, 20 October 2014
  • 2014:Audio Chord Estimation Results Billboard 2013
    This page contains the results of these new evaluations for a special subset of the ''Billboard'' dataset * Moreover, because pieces of music come in a wide variety of lengths, we believe it is better to weight the CS
    5 KB (751 words) - 12:52, 21 October 2014
  • 2014:Discovery of Repeated Themes & Sections Results
    ...that occurs at least twice (i.e., is repeated at least once) in a piece of music. The second, third, etc. occurrences of the pattern will likely be shifted ...musical repetition. While we recognise the appealing simplicity of linear segmentation, in the ''Discovery of Repeated Themes & Sections'' task we are demanding a
    28 KB (3,790 words) - 09:35, 20 October 2015
  • 2014:MIREX2014 Results
    ==Results by Task == ==OVERALL RESULTS POSTERS <!--(First Version: Will need updating as last runs are completed)-
    6 KB (836 words) - 12:56, 31 October 2014
  • 2015:Main Page
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Informati ...g as part of [http://ismir2015.uma.es The 16th International Conference on Music Information Retrieval], ISMIR 2015, which will be held in Malaga, Spain, Oc
    9 KB (1,308 words) - 23:02, 17 February 2016
  • 2015:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    11 KB (1,674 words) - 08:28, 25 October 2015
  • 2015:Audio Chord Estimation
    ...Christopher Harte (2010), Pauwels and Peeters (2013), and the [https://www.music-ir.org/mirex/wiki/The_Utrecht_Agreement_on_Chord_Evaluation “Utrecht Agre ...collected Beatles, Queen, and Zweieck datasets from the Centre for Digital Music at Queen Mary, University of London (http://www.isophonics.net/), as used f
    13 KB (2,008 words) - 21:37, 26 March 2015
  • 2015:Discovery of Repeated Themes & Sections
    '''In brief''': algorithms that take a single piece of music as input, and output a list of patterns repeated within that piece. Also kn ...observe that 'the importance of parallelism [i.e., repetition] in musical structure cannot be overestimated. The more parallelism one can detect, the more inte
    40 KB (5,952 words) - 05:22, 24 March 2018
  • 2015:MIREX2015 Results
    ==Results by Task == ==OVERALL RESULTS POSTERS <!--(First Version: Will need updating as last runs are completed)-
    6 KB (750 words) - 10:20, 26 October 2015
  • 2015:Discovery of Repeated Themes & Sections Results
    ...that occurs at least twice (i.e., is repeated at least once) in a piece of music. The second, third, etc. occurrences of the pattern will likely be shifted ...musical repetition. While we recognise the appealing simplicity of linear segmentation, in the ''Discovery of Repeated Themes & Sections'' task we are demanding a
    24 KB (3,413 words) - 09:15, 21 October 2015
  • 2016:Main Page
    ...tional Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org IMIRSEL]) at the Graduate School of Library and Information Science ...art of [https://wp.nyu.edu/ismir2016/ The 17th International Conference on Music Information Retrieval], ISMIR 2016, which will be held in New York City, US
    9 KB (1,271 words) - 12:20, 7 May 2018
  • 2016:Audio Melody Extraction
    We structure the submission to allow these parts to be done independently within a singl ...segmentation, it can report all positive fundamental frequencies (and the segmentation aspects of the evaluation ignored). If the time-stamp in the algorithm outp
    11 KB (1,674 words) - 15:29, 17 February 2016
  • 2016:Audio Chord Estimation
    ...Christopher Harte (2010), Pauwels and Peeters (2013), and the [https://www.music-ir.org/mirex/wiki/The_Utrecht_Agreement_on_Chord_Evaluation “Utrecht Agre ...collected Beatles, Queen, and Zweieck datasets from the Centre for Digital Music at Queen Mary, University of London (http://www.isophonics.net/), as used f
    13 KB (2,008 words) - 15:35, 17 February 2016
  • 2016:Discovery of Repeated Themes & Sections
    '''In brief''': algorithms that take a single piece of music as input, and output a list of patterns repeated within that piece. Also kn ...observe that 'the importance of parallelism [i.e., repetition] in musical structure cannot be overestimated. The more parallelism one can detect, the more inte
    40 KB (5,953 words) - 05:22, 24 March 2018
  • 2017:Discovery of Repeated Themes & Sections
    '''In brief''': algorithms that take a single piece of music as input, and output a list of patterns repeated within that piece. Also kn ...observe that 'the importance of parallelism [i.e., repetition] in musical structure cannot be overestimated. The more parallelism one can detect, the more inte
    42 KB (6,393 words) - 05:23, 24 March 2018
  • 2017:MIREX2017 Results
    ==Overall Results Poster== ...w.music-ir.org/mirex/results/2017/mirex_2017_poster.pdf MIREX 2017 Overall Results Posters (PDF)]
    4 KB (517 words) - 11:20, 26 April 2018

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