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  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,449 words) - 08:41, 7 June 2010
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,455 words) - 15:19, 8 July 2011
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,443 words) - 16:38, 7 June 2012
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,443 words) - 11:13, 10 June 2013
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,457 words) - 10:15, 18 August 2014
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,443 words) - 21:50, 26 March 2015
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,443 words) - 15:42, 17 February 2016
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    11 KB (1,738 words) - 20:01, 2 August 2018
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,474 words) - 11:47, 25 September 2019
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,474 words) - 23:50, 1 June 2020
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,474 words) - 14:52, 10 September 2021

Page text matches

  • ** Audio Classification (Train/Test) Tasks <TC: IMIRSEL> ** Audio K-POP Genre Classification <TC: IMIRSEL>
    9 KB (1,363 words) - 12:20, 7 May 2018
  • # Audio Classification (Train/Test) Tasks # Audio Music Similarity and Retrieval
    9 KB (1,296 words) - 05:32, 6 June 2011
  • ...or symbolic MIDI) with different reference types (MIDI score or reference Audio). ...g. The main issue here is causality and ofcourse computation time. Offline audio to score alignment systems are mostly non-causal and use future data for al
    17 KB (2,654 words) - 13:12, 13 May 2010
  • ...scribes the score file format proposed for the MIREX 2007 [[2007:Real-time Audio to Score Alignment (a.k.a Score Following)]] task and likely to be used for ...mat is in ASCII text, with one line per note or other event such as trill, tempo change, or signature change.
    4 KB (633 words) - 16:17, 9 June 2010
  • * [[2007:Audio Artist Identification]] * [[2007:Audio Classical Composer Identification]] - [[2007:Audio Artist Identification]] subtask
    6 KB (748 words) - 22:56, 19 December 2011
  • [[2007:Real-time Audio to Score Alignment (a.k.a Score Following)]] task. with one line per note or other event such as trill, tempo change, or signature change.
    4 KB (614 words) - 22:23, 13 May 2010
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,449 words) - 08:41, 7 June 2010
  • ...nois.edu/nema_out/4ffcb482-b83c-4ba6-bc42-9b538b31143c/results/evaluation/ Audio Classical Composer Identification Results ]&nbsp;&nbsp; (DIY) ...nois.edu/nema_out/6731c97a-240c-4d3d-8be9-90d715ea04e1/results/evaluation/ Audio Latin Genre Classification Results ]&nbsp;&nbsp; (DIY)
    4 KB (621 words) - 22:28, 23 October 2011
  • ...Music Tracking using Tempo-aware On-line Dynamic Time Warping" (Real-time Audio to Score Alignment (a.k.a Score Following)) ...al structure and temporal evolution rules" (Multiple Fundamental Frequency Estimation & Tracking Task)
    6 KB (843 words) - 04:25, 10 August 2010
  • # Audio Classification (Train/Test) Tasks # Audio Music Similarity and Retrieval
    8 KB (1,099 words) - 14:31, 1 October 2011
  • '''Task 4''' (MIREX 2010: Audio Train/Test: Genre Classification (Latin) - MIREX09 Dataset) :Music classification task requiring participants to classify music audio tracks by Genre, where the genres are drawn from a set of Latin music genre
    10 KB (1,396 words) - 18:14, 26 October 2010
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,455 words) - 15:19, 8 July 2011
  • * [https://www.music-ir.org/nema_out/mirex2011/results/act/composer_report/ Audio Classical Composer Identification Results ]&nbsp;&nbsp; (DIY) * [https://www.music-ir.org/nema_out/mirex2011/results/act/latin_report/ Audio Latin Genre Classification Results ]&nbsp;&nbsp; (DIY)
    4 KB (596 words) - 17:21, 18 May 2012
  • # Brian McFee and Gert Lanckriet: ''Audio similarity via metric learning'' (AMS) # E. Benetos and S. Dixon: ''Multiple-F0 estimation and note tracking using a convolutive probabilistic model'' (multiF0 and tr
    6 KB (850 words) - 10:24, 27 October 2011
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,443 words) - 16:38, 7 June 2012
  • ...the lead on running the 2012 <b>Query by Singing/Humming (QBSH)</b> and <b>Audio Melody Extraction (AME) Tasks </b>. We do not foresee any special deviation ...he dataset are equipped with metadata (e.g., artist and title), as well as audio content analysis, semantic annotations, lyrics, etc. Because the data is o
    10 KB (1,554 words) - 05:31, 14 March 2013
  • * [https://www.music-ir.org/nema_out/mirex2012/results/act/composer_report/ Audio Classical Composer Identification Results ]&nbsp;&nbsp; * [https://www.music-ir.org/nema_out/mirex2012/results/act/latin_report/ Audio Latin Genre Classification Results ]&nbsp;&nbsp;
    5 KB (655 words) - 21:21, 5 October 2012
  • ...tempo and perceptual tempo and will test for the extraction of perceptual tempo. ...s and everyone taps at the same metrical level, but for other excerpts the tempo can be quite ambiguous and you get a complete split across listeners.
    9 KB (1,443 words) - 11:13, 10 June 2013
  • * [[2013:Audio Classification (Train/Test) Tasks]], incorporating: ** Audio US Pop Genre Classification
    8 KB (1,225 words) - 22:35, 29 June 2014
  • |[[2013:Audio Beat Tracking]] |[[2013:Audio Chord Estimation]]
    2 KB (294 words) - 16:14, 4 August 2013

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