2012:Audio Onset Detection
- 1 Description
- 2 Data
- 3 Evaluation Procedures
- 4 Submission Format
- 5 Time and hardware limits
Audio Onset Detection concerns itself with finding the time-locations of all sonic events in a piece of audio. This task was originally proposed in 2005 by Paul Brossier and Pierre Leveau . It has subsequently been run in 2005, 2006, 2007, 2009, 2010, 2011.
The dataset will be the same as in 2005/2006/2007/2009 unless new or updated datasets are made available. The current dataset is subdivided into classes, because onset detection is sometimes performed in applications dedicated to a single type of signal (ex: segmentation of a single track in a mix, drum transcription, complex mixes databases segmentation...). The performance of each algorithm will be assessed on the whole dataset but also on each class separately.
The dataset contains 85 files from 5 classes annotated as follows:
- 30 solo drum excerpts cross-annotated by 3 people
- 30 solo monophonic pitched instruments excerpts cross-annotated by 3 people
- 10 solo polyphonic pitched instruments excerpts cross-annotated by 3 people
- 15 complex mixes cross-annotated by 5 people
Moreover the monophonic pitched instruments class is divided into 6 sub-classes: brass (2 excerpts), winds (4), sustained strings (6), plucked strings (9), bars and bells (4), singing voice (5).
The data are monophonic sound files, with the associated onset times and data about the annotation robustness.
- CD-quality (PCM, 16-bit, 44100 Hz)
- single channel (mono)
- file length between 2 and 36 seconds (total time: 14 minutes)
The detected onset times will be compared with the ground-truth ones. For a given ground-truth onset time, if there is a detection in a tolerance time-window around it, it is considered as a correct detection (CD). If not, there is a false negative (FN). The detections outside all the tolerance windows are counted as false positives (FP). Doubled onsets (two detections for one ground-truth onset) and merged onsets (one detection for two ground-truth onsets) will be taken into account in the evaluation. Doubled onsets are a subset of the FP onsets, and merged onsets a subset of FN onsets.
- Precision P = Ocd / (Ocd +Ofp)
- Recall R = Ocd / (Ocd + Ofn)
- F-measure F = 2*P*R/(P+R)
with these notations:
- Ocd number of correctly detected onsets (CD)
- Ofn number of missed onsets (FN)
- Om number of merged onsets
- Ofp number of false positive onsets (FP)
- Od number of double onsets
Other indicative measurements:
- FP rate FP = 100. * (Ofp) / (Ocd+Ofp)
- Doubled Onset rate in FP D = 100 * Od / Ofp
- Merged Onset rate in FN M = 100 * Om / Ofn
Because files are cross-annotated, the mean Precision and Recall rates are defined by averaging Precision and Recall rates computed for each annotation.
To establish a ranking, we will use the F-measure, widely used in string comparisons. This criterion is arbitrary, but gives an indication of performance. It must be remembered that onset detection is a preprocessing step, so the real cost of an error of each type (false positive or false negative) depends on the application following this task.
- percentage of correct detections / false positives (can also be expressed as precision/recall)
- time precision (tolerance from +/- 50 ms to less). For certain file, we can't be much more accurate than 50 ms because of the weak annotation precision. This must be taken into account.
- separate scoring for different instrument types (percussive, strings, winds, etc)
- percentage of doubled detections
- speed measurements of the algorithms
Submissions to this task will have to conform to a specified format detailed below. Submissions should be packaged and contain at least two files: The algorithm itself and a README containing contact information and detailing, in full, the use of the algorithm.
Participating algorithms will have to read audio in the following format:
- Sample rate: 44.1 KHz
- Sample size: 16 bit
- Number of channels: 1 (mono)
- Encoding: WAV
The onset detection algorithms will return onset times in an ASCII text file for each input .wav audio file. The specification of this output file is immediately below.
Output File Format (Audio Onset Detection)
The Audio Onset Detection output file format is an ASCII text format. Each onset time is specified, in seconds, on its own line. Specifically,
<onset time(in seconds)>\n
where \n denotes the end of line. The < and > characters are not included. An example output file would look something like:
0.243 1.476 1.987 2.449 3.224
Algorithm Calling Format
The submitted algorithm must take as arguments a SINGLE .wav file to perform the onset detection on as well as the full output path and filename of the output file. The ability to specify the output path and file name is essential. Denoting the input .wav file path and name as %input and the output file path and name as %output, a program called foobar could be called from the command-line as follows:
foobar %input %output foobar -i %input -o %output
Moreover, if your submission takes additional parameters, such as a detection threshold, foobar could be called like:
foobar .1 %input %output foobar -param1 .1 -i %input -o %output
If your submission is in MATLAB, it should be submitted as a function. Once again, the function must contain String inputs for the full path and names of the input and output files. Parameters could also be specified as input arguments of the function. For example:
In past iterations of MIREX, submitters have been allowed to specify a parameter sweep so as to generate a precision-recall operator characteristic to better evaluate and understand the algorithm. If you wish to do so, please specify TEN different settings for your sweepable parameter. There are no guarantees that all ten will be tested and evaluated, however, as the time-constraints for MIREX are getting ever smaller as the number of submissions are getting ever larger. Therefore, please also specify the ONE single parameterization you feel is best in the README. If the whole parameter sweep cannot be evaluated, this single parameterization will be used.
- All submissions should be statically linked to all libraries (the presence of dynamically linked libraries cannot be guaranteed). IMIRSEL should be notified of any dependencies that you cannot include with your submission at the earliest opportunity (in order to give them time to satisfy the dependency).
- Be sure to follow the Best Coding Practices for MIREX
- Be sure to follow the MIREX 2012 Submission Instructions
All submissions should include a README file including the following the information:
- Command line calling format for all executables including examples
- Number of threads/cores used or whether this should be specified on the command line
- Expected memory footprint
- Expected runtime
- Approximately how much scratch disk space will the submission need to store any feature/cache files?
- Any required environments/architectures (and versions) such as Matlab, Java, Python, Bash, Ruby etc.
- Any special notice regarding to running your algorithm
Note that the information that you place in the README file is extremely important in ensuring that your submission is evaluated properly.
A README file accompanying each submission should contain explicit instructions on how to to run the program (as well as contact information, etc.). In particular, each command line to run should be specified, using %input for the input sound file and %output for the resulting text file.
For instance, to test the program foobar with different values for parameters param1, the README file would look like:
foobar -param1 .1 -i %input -o %output foobar -param1 .15 -i %input -o %output foobar -param1 .2 -i %input -o %output foobar -param1 .25 -i %input -o %output foobar -param1 .3 -i %input -o %output ...
For a submission using MATLAB, the README file could look like:
matlab -r "foobar(.1,'%input','%output');quit;" matlab -r "foobar(.15,'%input','%output');quit;" matlab -r "foobar(.2,'%input','%output');quit;" matlab -r "foobar(.25,'%input','%output');quit;" matlab -r "foobar(.3,'%input','%output');quit;" ...
The different command lines to evaluate the performance of each parameter set over the whole database will be generated automatically from each line in the README file containing both '%input' and '%output' strings.
Time and hardware limits
Due to the potentially high number of participants in this and other audio tasks, hard limits on the runtime of submissions will be imposed.
A hard limit of 6 hours will be imposed on analysis times.