Search results

From MIREX Wiki

Page title matches

Page text matches

  • ...upcoming MIREX 2017. To do so, we really need leaders to help us organize and run each task. * Communicate with submitters and troubleshooting submissions
    9 KB (1,363 words) - 12:20, 7 May 2018
  • ...lines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations. # Audio Classification (Train/Test) Tasks
    9 KB (1,296 words) - 05:32, 6 June 2011
  • ...nt the vast and multidisciplinary field of MIR, including symbolic, audio, and other subdisciplines. *Evaluation procedures and test collections will be agreed among the participants.
    3 KB (375 words) - 22:50, 19 December 2011
  • #REDIRECT [[2005:Audio and Symbolic Key]]
    41 bytes (5 words) - 23:22, 10 May 2010
  • '''Deadline for Algorithms and 1-page Abstracts: June 26, 2005''' ..., 2005. The goal of this contest is to compare state-of-the-art algorithms and
    3 KB (446 words) - 23:51, 10 May 2010
  • ...ns in music information retrieval, extracting the harmonic structure of an audio track is very desirable, for example for segmenting pieces into characteris ...of chords with a key and type as well as a chronological order with onset and duration of the chords.
    12 KB (1,995 words) - 01:37, 15 December 2011
  • ...he [[2006:Audio Beat Tracking]] task have been updated as of 17 July 2007, and differ from those presented at ISMIR 2006. ...ty of Illinois at Urbana-Champaign ([http://www.uiuc.edu UIUC]) is hosting and running MIREX 2006.
    7 KB (1,024 words) - 01:07, 15 December 2011
  • ...lman/listinfo/mrx-com01 MIREX 06 "ScoreFollowing06" contest planning list] and will be briefly digested here. A full digest of the discussions is availabl ...e format of the evaluation, including pseudocode for the evaluation metric and suggested formats for submitted algorithms. A skeleton of proposal is alrea
    17 KB (2,654 words) - 13:12, 13 May 2010
  • * [[2007:Audio Artist Identification]] * [[2007:Audio Classical Composer Identification]] - [[2007:Audio Artist Identification]] subtask
    6 KB (748 words) - 22:56, 19 December 2011
  • ...ey of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedisser ...s task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).
    10 KB (1,642 words) - 06:58, 4 June 2011
  • ...te, do explore the various new outputs that help visualize both individual and task-wide comparative performances. A demonstration [https://www.music-ir.o ...nois.edu/nema_out/4ffcb482-b83c-4ba6-bc42-9b538b31143c/results/evaluation/ Audio Classical Composer Identification Results ]   (DIY)
    4 KB (621 words) - 22:28, 23 October 2011
  • ...now the number of posters so they can set up the room. Please add you name and the task(s) dealt with in your poster. ...ur author names here, once for each poster along with "title of some sort" and (Task(s) covered)==
    6 KB (843 words) - 04:25, 10 August 2010
  • The evaluation of key finding algorithms applied to audio sound files ...ntest and the Symbolic Key Finding contest. Here is a link to the Symbolic Key Finding results.
    4 KB (488 words) - 17:34, 2 August 2010
  • These are the results for the 2005 running of the Symbolic Key Finding task set. ...his contest and the Audio Key Finding contest. Here is a link to the Audio Key Finding results.
    2 KB (247 words) - 17:02, 2 August 2010
  • ...ttps://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Il ...Miami, Florida, the 24-28 October, 2011. The MIREX plenary (working lunch) and poster sessions will be held Thursday, October 27 during the conference.
    8 KB (1,099 words) - 14:31, 1 October 2011
  • ...ns in music information retrieval, extracting the harmonic structure of an audio track is very desirable, for example for segmenting pieces into characteris ...of chords with a key and type as well as a chronological order with onset and duration of the chords.
    13 KB (2,035 words) - 01:37, 15 December 2011
  • ...te, do explore the various new outputs that help visualize both individual and task-wide comparative performances. A demonstration [https://www.music-ir.o * [https://www.music-ir.org/nema_out/mirex2011/results/act/composer_report/ Audio Classical Composer Identification Results ]   (DIY)
    4 KB (596 words) - 17:21, 18 May 2012
  • ...now the number of posters so they can set up the room. Please add you name and the task(s) dealt with in your poster. ...time is about four hours for walk-in orders. A google map shows the hotel and the shop can be found [http://maps.google.com/maps/ms?f=q&source=s_q&hl=en&
    6 KB (850 words) - 10:24, 27 October 2011
  • ...m the 2008 page. This task was first run in 2008. Please add your comments and discussions for 2009. ...of chords with a key and type as well as a chronological order with onset and duration of the chords.
    26 KB (4,204 words) - 01:44, 15 December 2011
  • ...nd anyone who would like to see a topic addressed by the participants. Any and all topics, suggestions, gripes, etc. related to MIREX are not only welcome ===Topic 1: First Task Proposal For MIREXDIYDEMO Prototype: Audio Cover Song?===
    9 KB (1,385 words) - 01:47, 15 December 2011
  • *(please add your name and some affliation info to this list) ...build INDEX_THIS directories for each task (i.e., INDEX_THIS1 (for TASK1) and INDEX_THIS2 (for TASK2). In these directories will be ALL the required file
    13 KB (2,111 words) - 23:41, 19 December 2011
  • ...ns in music information retrieval, extracting the harmonic structure of an audio track is very desirable, for example for segmenting pieces into characteris ...of chords with a key and type as well as a chronological order with onset and duration of the chords.
    14 KB (2,188 words) - 11:48, 27 August 2012
  • ...ttps://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Il ...will be held in Porto, Portugal, the 8-12 October, 2012. The MIREX plenary and poster sessions will be held Friday, October 12 during the conference.
    10 KB (1,554 words) - 05:31, 14 March 2013
  • * [https://www.music-ir.org/nema_out/mirex2012/results/act/composer_report/ Audio Classical Composer Identification Results ]   * [https://www.music-ir.org/nema_out/mirex2012/results/act/latin_report/ Audio Latin Genre Classification Results ]  
    5 KB (655 words) - 21:21, 5 October 2012
  • ...ttps://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Il ...be held in Curitiba, PR, Brazil, the 4-8 November, 2013. The MIREX plenary and poster sessions will be held during the conference.
    8 KB (1,225 words) - 22:35, 29 June 2014
  • ...upcoming MIREX 2013. To do so, we really need leaders to help us organize and run each task. * Communicate with submitters and troubleshooting submissions
    2 KB (294 words) - 16:14, 4 August 2013
  • * [https://www.music-ir.org/nema_out/mirex2013/results/act/composer_report/ Audio Classical Composer Identification Results ]   * [https://www.music-ir.org/nema_out/mirex2013/results/act/latin_report/ Audio Latin Genre Classification Results ]  
    5 KB (688 words) - 23:23, 24 October 2014
  • ...ttps://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Il ...will be held in Taipei, Taiwan, the 27-31 October, 2014. The MIREX plenary and poster sessions will be held during the conference.
    9 KB (1,330 words) - 14:32, 24 September 2014
  • ...upcoming MIREX 2014. To do so, we really need leaders to help us organize and run each task. * Communicate with submitters and troubleshooting submissions
    2 KB (300 words) - 21:27, 20 October 2014
  • * [https://www.music-ir.org/nema_out/mirex2014/results/act/composer_report/ Audio Classical Composer Identification Results ]   * [https://www.music-ir.org/nema_out/mirex2014/results/act/latin_report/ Audio Latin Genre Classification Results ]  
    6 KB (836 words) - 12:56, 31 October 2014
  • |[[2014:Audio Beat Tracking]] |[[2014:Audio Chord Estimation]]
    1 KB (137 words) - 13:54, 12 March 2014
  • ...upcoming MIREX 2015. To do so, we really need leaders to help us organize and run each task. * Communicate with submitters and troubleshooting submissions
    2 KB (329 words) - 15:07, 29 July 2015
  • ...ttps://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Il ...will be held in Malaga, Spain, October 26th-30th, 2015. The MIREX plenary and poster sessions will be held during the conference.
    9 KB (1,308 words) - 23:02, 17 February 2016
  • * [https://www.music-ir.org/nema_out/mirex2015/results/act/composer_report/ Audio Classical Composer Identification Results ]   * [https://www.music-ir.org/nema_out/mirex2015/results/act/latin_report/ Audio Latin Genre Classification Results ]  
    6 KB (750 words) - 10:20, 26 October 2015
  • ...oratory ([https://music-ir.org IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Il ...h will be held in New York City, USA, August 7-11, 2016. The MIREX plenary and poster sessions will be held during the conference.
    9 KB (1,271 words) - 12:20, 7 May 2018
  • ...upcoming MIREX 2017. To do so, we really need leaders to help us organize and run each task. * Communicate with submitters and troubleshooting submissions
    4 KB (548 words) - 20:57, 17 September 2017
  • ...'': (1) Algorithms that take an excerpt of music as input (the ''prime''), and output a predicted ''continuation'' of the excerpt. ...vely, algorithms that take a prime and one or more continuations as input, and output the likelihood that each continuation is the genuine extension of th
    27 KB (4,004 words) - 08:51, 31 July 2018
  • (1) Algorithms that take an excerpt of music as input (the prime), and output a predicted continuation of the excerpt. ...vely, algorithms that take a prime and one or more continuations as input, and output the likelihood that each continuation is the genuine extension of th
    12 KB (1,712 words) - 04:13, 5 November 2019
  • ...sk''' - Algorithms that take an excerpt of music as input (the ''prime''), and output a predicted ''continuation'' of the excerpt ...t Task''' - Algorithms that are given a prime and a candidate continuation and return the probability that this is the true continuation of the provided p
    29 KB (4,395 words) - 14:32, 3 November 2019
  • (1) Algorithms that take an excerpt of music as input (the prime), and output a predicted continuation of the excerpt. ...vely, algorithms that take a prime and one or more continuations as input, and output the likelihood that each continuation is the genuine extension of th
    15 KB (1,996 words) - 08:40, 5 November 2019
  • ...sk''' - Algorithms that take an excerpt of music as input (the ''prime''), and output a predicted ''continuation'' of the excerpt ...t Task''' - Algorithms that are given a prime and a candidate continuation and return the probability that this is the true continuation of the provided p
    29 KB (4,416 words) - 11:46, 5 June 2021
  • (1) Algorithms that take an excerpt of music as input (the prime), and output a predicted continuation of the excerpt. ...vely, algorithms that take a prime and one or more continuations as input, and output the likelihood that each continuation is the genuine extension of th
    10 KB (1,366 words) - 09:37, 20 October 2020
  • ...sk''' - Algorithms that take an excerpt of music as input (the ''prime''), and output a predicted ''continuation'' of the excerpt ...t Task''' - Algorithms that are given a prime and a candidate continuation and return the probability that this is the true continuation of the provided p
    29 KB (4,416 words) - 14:56, 10 September 2021